(light)Source

I am currently working on the narrative content of objects beyond function and aesthetics. Nowadays, objects that we use not only for their functionality and aesthetics, but also for their spirituality, have begun to re-enter our material culture. There is also a growing demand for special objects that are on the frontier. I believe that an object can be more than its function.

The clay of Kishajmás is a favourite material of Hungarian folk pottery. However, the material is no longer popular in artistic circles because of its low firing rate. I use acetic acid to cure the surface. Only this clay is capable of achieving such a surface.
The simple little one cracks the surface and breaks its way through. It tells its story in a frame, in glory.